MATTHEW WILDE | ALEKSA MILOJEVIC
RECONSTRUCTING THE COMMONS: ARCHITECTURE AS COLLECTIVE PRACTICE
Mittwoch, 21. Jänner 2026 - 7pm
Mittwoch 21. Jänner
Donnerstag 22. Jänner
Freitag 23. Jänner
The commons are not a category of things but a mode of relation. They exist wherever people share and sustain resources—material, social, or ecological—through collective practices of care, negotiation, and maintenance. The commons are neither public nor private; they are produced and reproduced through use, through the ongoing labor of keeping something available to many. To speak of reconstructing the commons today is to acknowledge both their erosion and their persistence. Processes of privatization, enclosure, and extraction have fractured the material and social infrastructures that once enabled collective life. Yet new commons continually emerge—from community-managed spaces to informal economies, open-source networks, and cooperative forms of design.
This exhibition positions architecture at the intersection of space, resources, and the social contract. Every act of building raises questions of access, participation, and responsibility: Who contributes? Who maintains? Who benefits? The works assembled under Reconstructing the Commons operate as situated experiments that probe these issues. Organized into four categories that reconsider how space can sustain forms of commoning, the exhibition invites visitors to engage with themes of adaptive reuse, participatory construction, and ecological integration. Taken together, the projects suggest that the future of architecture may lie not in the creation of isolated monuments but in cultivating shared grounds.
MATTHEW WILDE is an architectural designer working across built work, speculative research, and exhibition-making. Trained at the Yale School of Architecture, his practice investigates how architecture can cultivate new forms of social and ecological commons. His work has been shown internationally, including at the 2023 Venice Biennale with Surfacing – The Civilised Agroecological Forests of Amazonia, as well as in the Guggenheim Bilbao exhibition Motion: Autos, Art, Architecture and the Future and the NOMAD exhibition at Autostadt, Wolfsburg. Wilde is the winner of the international competition The Architect’s Stair and has received multiple academic prizes and nominations for design excellence.
His research-led projects explore how strategies of architectural reuse and densification can support urban resilience, social interaction, and shared ecological spaces within Manhattan’s dense fabric. Central to this work is the idea of a new “vertical commons”: outdoor extensions of domestic life that occupy façades, stairs, and other in-between spaces, reimagining the urban envelope as a site for collective use and shared care.
ALEKSA MILOJEVIC is an architectural designer, researcher, and filmmaker whose work explores the contemporary urban condition, symbolist architecture, and experimental object design.
He studied at TU Vienna, the University of Applied Arts Vienna, AHO in Oslo, Tongji University in Shanghai, and the Yale School of Architecture. The international academic and professional background informs a humanist approach to design that spans architecture, product-scale prototyping, and visual communication rooted in contextual research. Currently active projects include a cultural center design in California, informed by the vibrant legacy of Eastern European epic poetry, a documentary film on rural development in Southern China, and a series of micro-gravity artifacts for astronauts, including a patent-pending mechanism.
His work has been recognized through awards and featured in both solo and group exhibitions, including the Yale Center for Collaborative Arts and Media, the Guggenheim Museum Bilbao, Autostadt Wolfsburg, Busan International Architecture Festival, and Buildner Architecture Competitions.